This volume charts the workings and legacies of Romantic artistic values such as originality and anti-commercialism in relation to musical genre. In case studies from across nineteenth-century Europe, author Matthew Gelbart explores the processes through which composers, performers, critics, and listeners gave sounds, and themselves, a sense of belonging
Available Expressions/Manifestations
Expression:Πρωτότυπη έκφραση του έργου " Musical genre and romantic ideology : belonging in the age of originality"
