The SAGE Handbook of Popular Music - 1η έκδοση. - New York: SAGE Publications Ltd, 2015

  1. Βιβλίο έντυπο
  2. Bennett, Andy
  3. Walksman, Steve
  4. Andy Bennett ; Steve Walksman
  5. 1η έκδοση
  6. New York: SAGE Publications Ltd, 2015-3-14
  7. New York
  8. SAGE Publications Ltd
  9. 664 σελίδες : σκληρόδετο ; 25 εκατοστά
  10. 978-144-621-085-7
    • ntroduction by Andy Bennett
      SECTION 1: Theory and Method
      Kevin Dawe
      The Many Worlds of Popular Music: Ethnomusicological
      Motti Regev
      Notes on Sociological Theory and Popular Music Studies
      Gilbert B. Rodman
      Waiting for the Great Leap Forwards: Mixing Pop, Politics
      Serge Lacasse
      (Re)Generations of Popular Musicology
      Christine Feldman-Barratt
      Archival Research and the Expansion of Popular Music
      Introduction by Steve Waksman
      SECTION 2: The Business of Popular Music
      Reebee Garofalo
      Power, Production and the Pop Process
      Devon Powers
      Intermediaries and Intermediation
      Matt Stahl
      Popular Musical Labor in North America
      Timothy D. Taylor
      Music in Advertising in the U.S.: History and Issues
      Introduction by Steve Waksman
      SECTION 3: Popular Music History
      Keir Keightley
      Grinding out Hits at the Song Factory
      David Brackett
      Popular Music Genres: Aesthetics, Commerce and Identity
      Matt Brennan
      Live Music History
      Introduction by Andy Bennett
      SECTION 4: The Global and the Local
      Tony Mitchell
      Observations on African, African-American, Middle Eastern
      Graham St. John
      Electronic Dance Music Cultures, Ritualization and the Case
      Andy Brown
      “Everything Louder than Everyone Else’: The Origins and Persistence of Heavy Metal and Its Global Cultural Impact
      Ross Haenfler
      Punk Rock Globalization
      Introduction by Steve Waksman
      SECTION 5: The Star System
      David Shumway
      Rock Stars as Icons
      Philip Auslander
      Everybody’s in Show Biz: Performing Star Identity in Popular Music
      Jacqueline Warwick
      Midnight Ramblers and Material Girls: Gender and Stardom in Rock and Pop
      C. Riley Snorton
      Dark Cosmos: Making Race, Shaping Stardom
      Introduction by Andy Bennett
      SECTION 6: Body and Identity
      Sheila Whiteley
      Blurred lines, gender and Popular Music
      Jon Stratton
      Popular Music, Race and Identity
      Sherril Dodds
      Dancing the Popular: The Expressive Interface of Bodies, Sound and Motion
      Catherine Strong
      Shaping the Past of Popular music: Memory, Forgetting and Documenting
      Introduction by Andy Bennett
      SECTION 7: Media
      Simon Warner
      In Print and On Screen: The Changing Character of Popular Music Journalism
      Tim Wall and Paul Long
      Sight and Sound in Concert? The Interrelationship Between Music and Television
      Scott Henderson
      Viewing with Your Ears, Listening With Your Eyes: Synching Popular Music and Cinema
      Nick Prior
      Beyond Napster: Popular Music and the ‘Normal’ Internet
      Introduction by Steve Waksman
      SECTION 8: Technology
      Patrick Feaster
      Phonography and the ‘Recording’ in Popular Music
      Peter Doyle
      Ghosts of Electricity: Amplification
      Anahid Kassabian
      Ubiquitous Musics: Technology, Listening, and Subjectivity
      Introduction by Steve Waksman
      SECTION 9: Digital Economies
      Tim Anderson
      Modes of Production: The Value of Modal Analysis for Popular Music Studies
      Joanna Demers
      Music, Copies and Essences
      Kembrew McLeod
      Authorship, Ownership, and Musical Appropriation
      Aram Sinnreich
      Music Cartels and the Dematerialization of Power
      ⟶ sagepub.com

    • The SAGE Handbook of Popular Music provides a highly comprehensive and accessible summary of the key aspects of popular music studies. The text is divided into 9 sections:

      • Theory and Method
      • The Business of Popular Music
      • Popular Music History
      • The Global and the Local
      • The Star System
      • Body and Identity
      • Media
      • Technology
      • Digital Economies

      Each section has been chosen to reflect both established aspects of popular music studies as well as more recently emerging sub-fields. The handbook constitutes a timely and important contribution to popular music studies during a significant period of theoretical and empirical growth and innovation in the field.

      This is a benchmark work which will be essential reading for educators and students in popular music studies, musicology, cultural studies, media studies and cultural sociology.

      ⟶ sagepub.com